With Regards to Occupation and Passion

When I start my job as a monitor, I didn’t only like it but also thought this is the best job that I could have landed; I get enough salary to save some money, travel in a frequent basis, meeting new people, good learning program, career ladder and opportunity and the best thing is I believe that I took part in enhancing the better life of mankind. In short it was a work worth doing. Several years after I  joined the company, I kinda get the idea how certain things works and from time to time I get bumped or stuck by the bureaucracy (in which I personally think that it is necessary). These are the things that finally wears thin of my passion in working and this happens right when I am in the middle of the process of moving to another country.

On the other hand, when I was first started with my work, I bought a camera. Mind you I’m not that artistic person (can’t sing, dance,paints or play musical instrument) and my encounters with this light capturing devices is for the sole sake of documenting purposes (for the records I shoot film back in the days but I’m fully a digital person now). My relationship with the camera and my work then began, I’ve begun to take photography lesson on my own, reading the resources off the net, applying everything that I could get my hands on to the extend that I begin to work in my spare time as a freelancer.

Over the years my relationship with photography have evolved, I’ve not only respected this instrument on my hand as my the extension of my eyes but also as a medium to express myself. This evolving relationship if I may say, have made my work evolved at some level as well, however I still keep my jobs at the utmost level, thinking that I still do a work worth doing.

Then it struck me, through a series of events. I felt that the job that I’ve given so much attention is merely a work, nothing else. At the same time I need to go outside of town to monitor in a site, I take an earlier flight a day before to explore the city because I’ve never actually went to this place. I bring my camera with me, exploring the city and just taking pictures. The next two days I was busy with my monitoring and I can only check my pictures when I was back at my place, after I check the pictures I was intrigued by what I get (not all, but you get the point right?). The pictures that I took that day led to another conclusion in my life and another evolution to my work.

I’ve concluded that I would move to this another country for photography’s sake. To shoot more, to attend workshop more, to get my hands on photography books more in which in the end to evolve my (photography) works more. That doesn’t mean that I will clumsily do my day to day job from now on, no of course not, I will still have high regards of my professionalism. It’s just that my priority is different and because of that I am happy now.

Big Brother

There’re a lot of eyes watching us.

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

Malaysia, December 2011

 

The Photobook Craze

I developed an affinity to photobooks, the one coming from the famous, the one that interest me and the one coming from the bargain section. Problem is I hardly devour the book, sometimes even it just lying there and when I had the time I would probably just skimming through the pages.

Then it struck me.

Am I buying photobook just for the sake of having one? or because the photographer’s there and I could get his signature in the book that I bought?

This thought are consuming me and making me thought that this is why I never become a good photographer, because I hardly learn from the examples that is in my possession.

And by that I got one of my new year’s resolution.

 

A Quarter of Century

I believe I’ll die young, I believe in my heart that I won’t be there to see the sun rises on my 25th birthday, but yet here I am, living and writing this piece.

So how does it feels to turn to a quarter of century as living breathing person? as me?

I felt tired.

As much as I accustomed to birthdays, this is the only one where I felt tired. Tired because I have been tied to my jobs, my life and my commitments. I’m tired because I felt that I haven’t achieve anything (in one aspect) but also tired of all the work that I have done (thus have been achieved or yet to achieve, in another aspect). Yet I am still eager to see what’s there on the horizon, the unseen and yet to come and brace if not march towards it. This eagerness also one of the reason I still survive to this day.

So what’s there for me in the future?

I know, I will soon move back to Malaysia and looking forward for the opportunity to learn something new again. To look with another perspectives and to catch up with what I haven’t been doing last time. After that? who knows. Probably the world, probably back to Indonesia or probably stay there.

That said, I would like to say that I am being very grateful for every support that I had, from my families and friends, from Felisia, from others whom I talked and discuss with. From those who leave their marks on me, long lasting impression that will I remember and for those I haven’t met but will later on.

God speed to you all.

Photography Links for The Week of 28 October 2011

This week we have more content from Indonesian Photography scene! A glimpse of China and concern about the new breed of conflict photographers. We also take how small documentary could make an impact and raging debate on what age are photographers does their most influential works.

Photography Links for The Week of 21 October 2011

All right this week we have some animal portrait, books and portfolios. We also still have interview and news (hint: Tim Hetherington on Magnum) and finally an advice from Indonesian NGT Photographer Hafidz Novalsyah. So kick back, relax and enjoy.